Headlines Comedy Club Chiswick
Chris Martin on the latest line-ups at our local comedy venue
 As 
        I sat in ‘West London’s only purpose built comedy club’ looking round 
        at the contemporary open brickwork walls and the crowd, predominantly 
        made up of trendy young professionals with a few more experienced viewers 
        (including Madness’s front man Suggs), I wondered whether the evening’s 
        entertainment would match up to my previous two visits. It was the Friday 
        of the club’s first year anniversary and the line up consisted of Simon 
        Evans -who has appeared on the ‘Stand-Up Show’ (Paramount Comedy Channel), 
        Rob Brydon -star of ‘Marion and Jeff’ (BB2) and advertisement voice over 
        extraordinaire, Ian Stone and Simon Clayton (MC).
As 
        I sat in ‘West London’s only purpose built comedy club’ looking round 
        at the contemporary open brickwork walls and the crowd, predominantly 
        made up of trendy young professionals with a few more experienced viewers 
        (including Madness’s front man Suggs), I wondered whether the evening’s 
        entertainment would match up to my previous two visits. It was the Friday 
        of the club’s first year anniversary and the line up consisted of Simon 
        Evans -who has appeared on the ‘Stand-Up Show’ (Paramount Comedy Channel), 
        Rob Brydon -star of ‘Marion and Jeff’ (BB2) and advertisement voice over 
        extraordinaire, Ian Stone and Simon Clayton (MC). 
        
        The performances definitely eclipsed my expectations especially that of 
        Rob Brydon with his refreshingly simple brand of humour and his eagerness 
        to get the audience to participate in his act. 
        
        Armed with a drink, which was always on offer due to the efficient table 
        service, the compere warmed the audience up with some typically standard 
        jokes. His deadpan technique and his continuous self-mockery helped the 
        audience to laugh in patches but as his role entailed he was by no stretch 
        of the imagination hilarious. His banter with the audience was one of 
        his strongest attributes but playing on his half Jamaican half English 
        background got tiresome and his jokes related to this were as predictable 
        as tight t-shirts at Mardi Gras. 
        
        The real laughter started when Simon Evans took to the stage pointing 
        out how the strong lighting had caused him to squint so much it appeared 
        as if he had no eye balls. He also illustrated his startling resemblance 
        to Rigsby from ‘Rising Damp’ and Sandy Tovsig and his apparent lack of 
        eyes. His material was not especially original but his line delivery and 
        the variety of subjects he covered in the thirty minute slot that were 
        smoothly linked to one another made him a hit by the end of his set. 
        His repertoire varied from using his posh accent to patronise and insult 
        Geordie women to witty observational points like the irony in homeless 
        persons favourite beer being named ‘Tennants’. He also touched on the 
        political controversy of the war with Iraq and used his intelligence to 
        illustrate funny interpretations of the situation, which others had not 
        noticed. His performance did not invite hecklers but the one person who 
        threw out an obscure comment had it battered back to him almost immediately. 
        
        
        I, as were the rest of the audience, was spellbound by Rob Brydon’s performance 
        within seconds of his appearance on stage. His material was very simple, 
        which made it uplifting. He based half of it around his native country 
        of Wales and his tone of voice going hand in hand with his delivery meant 
        everything he said was met with laughter. 
        
        Brydon’s Tom Jones impression was by a Welsh mile the best one I have 
        ever seen and will be attempting to repeat in the pub to friends. After 
        this the audience were laughing in anticipation of his every gag so he 
        moved onto voice over requests from the audience. He did the Kellogg’s 
        Crunchy Nut Cornflakes, Andrex, Ford advert (with the help of two audience 
        members) and my personal favourite, which was the Tango advert and to 
        anyone acquainted with this, was ‘nice to see’. 
        
        He ended with a farcically amusing exchange with the two audience members 
        he asked up on stage to recreate the Ford advert. As he departed from 
        the platform he was met with a tumultuous applause, which was the least 
        he deserved after such an entertaining set. 
        
        The last performance of the night by Ian Stone was pale in comparison 
        to his predecessor. His style seemed to be a mix of Johnny Vegas and Eddie 
        Izzard, as he was drunk and leapt from subject to subject but lacked the 
        skill and comedy timing to carry this out effectively. 
        
        A lot of his material involved shock humour to do with the war in Iraq 
        and gross out humour but these were not received well by the audience. 
        His Jewish background formed the basis for many of his jokes, which were 
        amusing to start with but soon, became tedious. 
        
        By the end of his act he had lost the crowd’s attention and he got bogged 
        down in shouting matches with a couple of members of the fidgety audience. 
        
        
        The night however finished on a high when Suggs took to the stage after 
        one to many and worked the audience up into a merry madness (excuse the 
        pun) with a few words of thanks. 
        
        In my opinion a visit to the ‘Headliners’ is one of the best ways to spend 
        £20-£30 (£10 entry the rest depends on food and drink) 
        on a Friday or Saturday night in West London. Not only are there good 
        performers of the calibre of Rob Brydon but also it is a well-designed 
        venue with a vibrant atmosphere for both young fashionable types and also 
        those at the midway point of their lives. 
Chris Martin
September 9, 2003
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